Steal or copy—treading the fine line

“The secret to creativity is knowing how to hide your sources”
—Albert Einstein

“Bad artists copy. Great artists steal.”
—Pablo Picasso

“Instinct [...] is memory in disguise—works quite well when trained, poorly otherwise.”
—Robert Bringhurst

Last night I couldn’t go to sleep before making this poster (larger here)—it stood as a sketch in my Moleskine for two days. It is one of my works for the 15th Design Challenge (the theme being a bike-day-or-ride poster with the title “I want to ride my bicycle”). The concept is great: a giant, red-striking, italic B (Futura UltraBold, of course) suggesting the word “bicycle”, helped by the small bike icon (InfoPict Two) and being part of an already very well known song line, “I want to ride my bicycle” from Queen. Add that big red letter over a black&white photo (bikes in their urban environment) and you have a clear winner. Looks great (I actually have people that can testify, so please excuse the self-praise :P)

However, this poster—most likely—wouldn’t have been born without seeing another poster three days ago, browsing Flickr. This one was made by Gabriel & Svoboda, exibited at the A:Event—larger here.

Now, the obvious troubling question is: how much is my poster mine?
Sure, they only have the big italic B in common, and the black&white poster is obviously not the first or the last one to make use of a huge, dominating letter as the main focus of its composition. Just as I’m not the first to use red Futura UltraBold over black&white photography—Barbara Kruger did this way back, and she’s in most design books so almost every designer has seen her work at some point, even if only by visiting Centre Pompidou.

Usually we don’t really remember our influences, mostly because we always filter everything we see and learn through our own personality, through our own creative talent. I didn’t think of Barbara Kruger at all when I designed the poster, I only remembered her while writing this analisys. God knows how many other influences I had. But I did know about the other poster, I specifically wrote down in my sketchbook to use the big italic B to illustrate my own ideas.

In the end, I guess it comes down to how much the work is your own, to how well you’ve managed to bring it close to your soul, to how much you believe in it. To how much you’ve “stolen” it or made it your own, as Picasso says. Do I like the poster? Of course, I’m proud of it. Is it mine? I think so. But being an intelligent person, I’m never completely sure of anything (“Only fools are 100% sure, son” “You sure, dad?” “Of course, son”).

This having been said, in commercial work there’s a pretty different story. The last thing you want is to find out that your design resembles another—your whole effort for differentiating your client can be ruined just because somebody somewhere had a similar idea. This is why market research is important, just as keeping yourself informed on other fellow designers’ work is (but this also influences your work—feel the irony?)

Come to think of it, there is this recent case that touches the same problem: Wolff Olins’ Docomo vs Pentagram’s MAD. Many hurried to cry “copy-cat”, but that’s just plain thought-less reaction. All designers, consultants and advertisers (the serious ones, that is) know how many elements are involved during a project. And we all know that you can’t reinvent the wheel. The basic shapes will remain the same, nobody can “own” them, just like T-Mobile can’t own magenta—that’s just against common sense.

(quotes reminded by Adi – RO link)

Dub FX—beatboxing to the next level

Incredible skills from Dub Fx. Seeing this I couldn’t help thinking about Prodigy and their not-so-great recent albums (haven’t listened the new one—i hope it’s good, but my hopes are not very high :P). Dub Fx shows that you don’t need fancy studios, record labels or tons of equipment to put up a great show. You can listen a few more songs on his MySpace.

(thanks bro’)

Mickey’s Wave To Hokusai—by Jaybo

A very interesting—and funny—take on Hokusai’s “The Great Wave of Kanagawa“, made by Jaybo—aka Monk, a french graffiti artist who recently exposed his works as projections on the Berliner Dom.

You can read an interview here. And if you’re interested, you can see some other Hokusai’s Wave interpretations here.

(sources: digesting design, iconiconic, style mag)

Street Art In Japan

A very interesting Flickr set about street art in Japan.

(via PingMag)

Banksy yet again

Just a few days ago I was talking about him, and now here is a full article/interview in The New Yorker.

Banksy tends to be overrun by his own self-developing brand

Banksy’s name has clearly grown beyond the real person. I wonder how many copycats he has, or when some big corporation will eventually sell Banksy-related stuff (I bet Banksy himself has been offered this kind of deal already).

This stencil however manages to say it all (I still remember the cover on Adbusters, one of my early contacts with “guerrilla” art):

Original image from here.