"...There are, however, some designers and even clients who insist that the public deserve and will respond to much higher standards in graphics. They are convinced, as Charlie Chaplin was convinced, that the best way to entertain the public is to first entertain oneself."
Eye-popping video made by Kota+Totori for Radiohead’s song. They won the first prize in an aniBooM contest (along with 3 other videos — apparently Radiohead couldn’t make up their mind which one they like best).
This one reminded me a lot of FLCL’s wacky world, but the one thing that made me grin with admiration was the inclusion of storyboard frames into the final animation.
Listening to the beautiful soundtrack, made by Plaid, I would’ve liked to write about the sensations Tekkon Kinkreet gives you. But I can’t, and I really shouldn’t. Because Tekkon Kinkreet does what movies should do (at least in theory): it touches you. I really felt the movie gave me in the end a small part of what Shiro was talking about, “Anshin! Anshin!” – meaning peace of mind, happiness.
I highly recommend it to anyone who likes to “feel” while watching a movie. And even if the story will fail to touch you, the visuals will surely blow you away with their insanely detailed city scapes, streets, buildings, and with its wonderful colors.
There are also the wonderful main charachters, Shiro (meaning white), contrasting with his “aniki” (older brother, but not necessarily by blood), Kuro (meaning black), both full of life in thei own way, complex, completeing each other.
Pingmag writes about the visuals, Catsuka posts some nice hi-q screens, SuperHeroType interviews the director (non-japanese, if you can believe) and highly talented Audrey Kawasaki shows us scans from Tekkon Kinkreet Art Book, just pure eyecandy, if you needed any more proof that Japan is ages in front of everybody else when it comes to animation.
later edit:
Some time ago I was reading about Paprika and Tekkon, and reviews said that Satoshi Kon’s Paprika is better, making Tekkon look like something incomplete, with only great visuals, but little substance. How wrong they were… While Kon’s Paprika is beautiful, raising many questions about human’s psyche and dreams, Tekkon is way ahead, dealing with human emotions, and not in a rational way, like Paprika, but in a personal, introspective, i-feel-it kind of way.
Talking about “Where the wild things are”, here is another gem, “Obluda”, a story contained in the 37th episode of Monster (the anime). Monster is one of the best written mangas, one of the best anime there are nowadays, truly a great watch. This little story is yet another thing that sends shivers up my spine (especially the melodic, feminine voice, saying slowly “bari bari, cusha cusha, baki baki, gokun!”). It is a lot more mature than “Where the wild things are” and it could be compared to the way Mamoru Oshii reinterprets “Little Red Riding Hood” (Perrault’s version, not Grimms’) in his Jin-Roh movie (another classic anime).
I don’t know if the “Obluda” book actually exists or if it was made up by Naoki Urasawa (Monster’s creator), but it seems they were selling it along with one of the Monster dvds in France. I searched a lot, I’d really like to buy it, so if you find anything at all about it, please tell me :)
Today I received my package from Amazon with four books, 3 design books and a story one: Where the wild things are (wiki).
I wasn’t very sure about it when I ordered, but after reading it I must say that I’m glad I did. It’s wonderfuly illustrated, it’s a great story and it manages to make you feel “the magic” of a child’s world. It’s actually a classic, and it seems Hollywood are making a movie inspired by it. Hope it turns out allright (Burton’s Big Fish is a great movie that has a similar feel to “Where the wild..”)
I also posted some weeks ago this Hulk comic cover, which as you can see is a tribute to “Where the wild things are”:
I remember being in my second year of art university. I was browsing through some now-long-dead forum and saw a trailer that enchanted me. I simply could not believe how beautiful the images could be, I craved for more, watched it over and over again, not wanting to return to the dull colors and light of the real world.
It was a trailer for “Beyond the clouds“. I had to wait 2 years for it to be released. But they were worth it. Meanwhile, I found out that the man behind it, Makoto Shinkai, was a new rising anime director (even nicknamed “the new Miyazaki” by some) whose previous work was done all by himself, from start to end. I watched “Hoshi no Koe (Voices Of A Distant Star)”, “Other Worlds” (the music, Satie’s Gymnopedie, has the same effect on me as Ave Maria from “Comedy” – you can watch it on youtube) and “She And Her Cat”. They were all beautiful, and it wasn’t just about the artwork (which has a trademark-style you’ll easily recognise after seeing Makoto’s Shinkai work). The light in these animations is fascinating, you feel it as it engulfs you, making you feel like you are part of the beautifully detailed sceneries. You feel as if you could just lay down and watch the sky forever, listening to the wind blowing softly through the grass.
First image from here, in wallpaper size, along with other beautiful ones. Second one from here, a review. Another detailed review as well as many shots here.
One of my all-favourite shorts, gives me goosebumps every time. Guess it’s because of the angelic “Ave Maria“. Can’t find which version is in this short, Bach/Gounod’s, Beethoven’s, Mozart’s and Schubert’s got me confused, guess I’ll have to ask mum :P – she’s a music teacher :).
later edit: ANN says it’s Schubert’s…
I’ve also listened to Gounod’s and it’s quite different.
A few weeks ago I was saying that Satoshi Kon’s latest movie seems to be very promising. Well, thanks to the advantages of the free, vast internet :D, I’ve managed to watch it.
First things first: visually stunning. Quite similar to Ghost in the Shell: Innocence, but better, since it’s CG isn’t as obvious. The sheer abundance of colours, characters, sets is overwhelming, just as you’d expect from a depiction of the human limitless imagination. The story, however, is not among Satoshi’s best. It’s quite unimaginative (resembling Jenniffer Lopez’s The Cell), sometimes incoherent, ilogic. But then again, what is logic when talking about the human mind ?
It is not quite an A+ movie, but it’s definitely a great watch, especially for us, visual-dependent ones. If you want a better story check out Millenium Actress and Perfect Blue.
It’s called Paprika, already released in Asia last year. The trailer is a must see. It seems Satoshi is again exploring psychological themes, taking it this time to the extreme (this time it’s all about dreams). Visually, I dare say it’s better than anything the US studios can come up. Can’t wait to see it. Animenewsnetwork gave it an A+ rating :)
Satoshi Kon has directed Millennium Actress, Tokyo Godfathers, Perfect Blue and Paranoia Agent. He is one of the top five anime directors from Japan.
